American Casino, An Edgy, Fast-paced Documentary on the Financial Meltdown
Politics / Credit Crisis 2008 Nov 24, 2009 - 05:07 PM GMTBy: Mike_Whitney
Andrew and Leslie Cockburn have produced the best movie of the year.   American Casino tells the story of the financial crisis, which started with the   meltdown in subprime lending and ended up triggering the deepest slump since the   Great Depression. 
The Cockburn's skillfully uncover the truth behind the   headlines, shining a light on the negligent regulators, the colluding Fed, the   unscrupulous ratings agencies, the mercenary banks, the venal mortgage lenders,   and the long daisy-chain of opportunists and fraudsters who gorged themselves on   the spoils from the biggest swindle in history. This is this generation's big   story and it is deftly conveyed by master narrators, Mr. and Mrs.   Cockburn.
  
  The movie begins in downtown Manhattan, the camera shifting   quickly from one looming skyscraper to the next. This is Wall Street, the   epicenter of the financial universe. With the edgy wail of bebop in the   background, Cockburn fixes his lens on Senator Phil Gramm and Fed chairman Alan   Greenspan, the two policymakers most responsible for the market blowup. In   testimony before a congressional committee,"Maestro" Greenspan reluctantly   admits that he discovered a "flaw" in his theory of how markets work. Director   Cockburn contrasts Greenspan's feeble defense with sweeping visuals of the   endless rows of boarded up homes in downtown Baltimore where the foreclosure   epidemic has turned large parts of the city into a ghost-town. This is the   Greenspan/Gramm legacy, the triumph of deregulation. 
  
American Casino   explains the most complex aspects of the financial collapse in terms that   everyone can understand. The movie is an informal tutorial on Wall Street's   "innovations", including a brief rundown on collateralized debt obligations   (CDOs), mortgage-backed securities (MBSs) and credit default swaps (CDSs). These   are the notorious debt-instruments which clogged the credit markets and sent   stocks into a nosedive. The Cockburn's also interview a number of people who   played a part in the market crash. We get a glimpse of the ratings agency   executive who caved in to the investment banks and gave them the triple A   ratings they wanted, but didn't deserve. 
There's a brief segment with a mortgage   lender who routinely filed false income statements which allowed unqualified   loan applicants to be approved. There's also a clip of a financial technician   who packed B-rated junk into CDOs that were offloaded to gullible Korean   investors. What's most disturbing about American Casino, is that it shows how   normal people eagerly participated in a profit-skimming operation that was based   on repackaging and peddling dodgy loans to credulous investors. These people   knew what they were doing was wrong, but did it anyway. 
  
  American Casino   transitions seamlessly from Wall Street to intercity Baltimore, and then onto   the abandoned housing developments in California's Central Valley. Here, we see   the true cost of deregulation measured in terms of the lives it has ruined. The   Cockburn's allow a few articulate African Americans, who were trapped in   predatory lending scams, to relay the story of an entire Baltimore community.   Not surprisingly, these mortgage ripoffs were engineered by some of the most   highly-respected banks in the country. 
Wells Fargo is one name that pops up   repeatedly. African Americans were four times more likely to be given subprime   loans even though the vast majority of applicants met the standards for   conventional prime mortgages. To their credit, the Cockburn's stand alone in   showing the role that racial discrimination played in the housing crisis. This   is clearly the civil rights issue of our time.
  
American Casino is not   your typical dispassionate documentary. The Cockburn's sympathies are never in   doubt as they stitch together a number of gut-wrenching stories which help to   illustrate how the trading of financial exotica in an "anything goes" market,   ended up destroying the lives of millions of ordinary working people. 
This is what separates the movie from the desensitized version of events we read in the mainstream press. It's not enough to know who was responsible or what crimes they may have committed. We need to see the faces of the victims and hear their stories first-hand. These are the people whose lives will be forever marred by the reckless, high-stakes gambling of Wall Street speculators.
By Mike Whitney
Email: fergiewhitney@msn.com
Mike is a well respected freelance writer living in Washington state, interested in politics and economics from a libertarian perspective.
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